O Holy Night — Here are the Ten Greatest Renditions to Listen to All Season Long
In the annals of Christmas music, one song stands out. It is the carol of carols, the benchmark of aspiring vocalists and the be-all, end-all for so many singers.
This Holy Grail of vocal gravitas is usually just about one note. And while listening ears are accustomed to wanting someone who can raise the rafters on the “-vine” of “Oh, night di-,” there are musicians who have found a backdoor via a folksy, more quirky route that is also lovely because it’s unexpected and different.
I listened to more than 100 versions of this song, a mere fraction of what’s out there. And, exceptions noted, you will find I favor a certain genre for this perennial holiday tune. Though old-world and classic in origin, I contend “O Holy Night” is best performed from a more soulful angle.
Of course, there should be some honorable mentions of performances of this piece that are truly impressive but don’t quite cut the mustard compared to my top ten-like performances by Luciano Pavorotti and Placido Domingo, Charlotte Church, Nat King Cole, Celine Deon, Gladys Knight, Weezer (Yes, that Weezer.), Aretha Franklin and the lovely Lisa Hannigan in her haunting ukulele rendition.
But without further ado, here are the top ten truly iconic performances of “O Holy Night,” the quintessential, non-debatable, empirical, de facto and authoritative list…according to yours truly.
10. Patti Labelle
For its time, Labelle’s version of this song felt like a watershed event. Even now, the backbone of her soulful sound still holds an incredible amount of weight when compared to the divas of today. In this live rendition performed on Johnny Carson she is joined by the most creative complement of backup singers in a completely unique expression of the carol.
9. Sufjan Stevens
This Brooklyn pre-hipster hipster delivers an out-of-the-box and entirely charming version of this carol with a sound of noisy childhood toys. His song evokes nostalgia for everyone singing around the family. It’s highly listenable and void of pretension. The build-up to full instrumentation gives its own musical climax that is just as rewarding as any wail on a high note other performances may have.
8. Mariah Carey
Sure her style (and vocal cords) may be a little tired in 2015, but no one can deny that her rafters’ high range and incredible momentum in this version are anything short of impressive and entirely infectious-not to mention that soulful church choir providing the perfect backdrop to shoot her voice into the stratosphere.
7. Martina McBride
While most country artists tend to make this song a snore, Martina McBride nails it. Probably because she just sings it. She focuses on the notes and preaches the words sung. Her straightforward sermon on singing a classic song by simply using her God-given voice is really all this carol needs to be special. Particularly when that voice belongs to Martina McBride.
6. Ella Fitzgerald
Like an old-fashioned Disney song with a saccharine choir backdrop, the takeaway here is simply that it’s Ella. And she can do no wrong. The queen of song needs not to do one trilling run, no Broadway power-belt, or a single vocal affectation at all. For many, Ella’s voice “as is” is the very best voice there is. Full stop. With a timbre that can melt butter, she turns in a traditional, church-solo rendition, here. There is no need for a power note. The choir provides a surprising thrill anyway. But it is knowing what Ella can do with her voice and recognizing what she chooses not to do that makes the subtle beauty of this version really shine.
5. Kim Burrell
To listen to one of Kim Burrell’s trill-tastic runs is to feel what music can do to the deepest part of your spine as you close your eyes and absorb its sound. Her runs never come when you anticipate and each has a breath of spontaneous ease. Burrell’s ambitious, wandering version starts shy at first, but warms up as she digs in with her sultry, smoky voice. To the full extent of what Ella could have done but didn’t, Kim goes there. And she goes all the way there. The result, though a bit labored, is also adamantly mesmerizing. It feels like the very best of soul and gospel sent through an amplifier on slight distortion, and it thrills, quite literally, like a shiver through your bones.
4. Kelly Clarkson
Sure everyone knew the first winner of American Idol could sing, but while other winners fall by the wayside, Clarkson’s legacy endures. This a capella solo is joined halfway through the first verse, by a choir that mainly “oohs” and “ahhs” in punctuated chords, adding a complex and creative backdrop to her belts and runs, which are too tempting for most talented singers like Clarkson to leave alone in this song (unless, of course, you’re Ella Fitzgerald).
3. David Phelps
Literally out of left—er, make that right—field (because how many people follow the evangelical Christian megachurch music scene?), singer David Phelps has a voice that will leave your jaw on the ground. What’s more surprising is the ease with which he sails to that infamous high note before just parking there for a while. So Phelps sings in a church where old white people sway awkwardly with a single arm in the air; so what? His voice is on point, and he isn’t afraid to embrace, embody and TELL the message of the song in a big, big way.
2. Jerry Butler
From the vocal depths of a true baritone comes this gold standard from a bygone era. When Jerry sings, “Can you hear the angel voices?” I’m fairly certain he’s referring to his own voice. Other gems found in this version are the way he inflects a slight vocal fry when he sings “Christ,” and the three-note lift at the end of “night” reminiscent of something mid-career Elvis would do. It’s classic, thoughtful and compulsively listenable again, and again.
1. Jennifer Hudson
The ease with which Jennifer Hudson sings is matched only by her ability to give every note the weight, meaning and reverence it deserves. In short, she tells a story; she just happens to be singing while telling it, and she’s just as much fun to watch as to hear. Her version is not only rooted in the tradition of black gospel music, but it’s also one of the strongest vocal performances of this or any Christmas carol.
Grand Prize: Mahalia Jackson
Oops, I snuck one in. But of a truth, this is the definitive version of this carol. It’s almost as if the song didn’t exist until Mahalia came along to imbue it with new life. Independent of this list, this is the version that rises above all other renditions. Even if you don’t believe in Christmas the way she did, there is absolutely no denying that her passion for this song-delivered through the power of her lungs and laced with the delicacy of her spirit-is enough to convert even the most callous of unbelievers.
To that end, Mahalia Jackson should not only be heard, but it should also become a staple track on every holiday playlist. Still, to mix it up, so should Weezer.
This article was originally published on Huffington Post. It has been republished here and elsewhere with permission.